الغرائبية وتمثلاتها في التشكيل العربي المعاصر
This study deals with the representation of the exotic in the contemporary Arab art. The alien is considered one of the contemporary intellectual concepts, in which the most important features of the cultural formations of the societies are revealed. Different historical stages. In order to reach the objectives of the study, both the alien and the carnival have been defined conventionally, linguistically and procedurally. The study has been exposed to the definition of Carnivalism as a philosophical concept that dealt with the two parts, the most important contemporary view in this field The first study discussed the existence of antiquity in modern and contemporary photography. It reviewed its history, its causes and manifestations in various stages since the Middle Ages, the Renaissance and the modernity stage. The study also discussed the study of the antiquity, The second is a strange phenomenon as a literary and artistic phenomenon in the postmodernist theories, showing the relationship between alien and Carnivalism. The study also discussed a number of contemporary philosophical ideas in this field. In order to search for a frame of reference for the strange in Arab culture, The third part is devoted to the study of some historical artistic models that crystallized in historical and institutional frameworks such as the ancient Egyptian Calvin, as well as the models related to folk literature such as ancient Arabic legends and some carnival manifestations in the festivals that were established in the past. Through which a set of results, the most important of which:
- The results of the study showed that al-Gharibah is closely associated with many aspects of contemporary Arab art. And reflect the visual vocabulary used in the works of photography, in addition to the topics covered by those works on the one hand, and reflected on the formal aspects and materials and techniques for the implementation of these works of photography on the other
The study showed the close connection between the alien in works of art and the position of the contemporary Arab artist from various authorities in contemporary societies, including the political, social and religious authorities, and even the authority of art itself (artistic traditions and their historical and social determinants) Arab and sought to destroy them, and rejected in his work.