اسبقية الصورة المرئية على الصورة الذهنية أو المفهوم في العمل الفني

  • أويس محمود سناجلة

Abstract

In this study, we tried to prove that visual sensations form the first perceptions, especially in artistic directions, and that the artistic trends that tried to rebel against reality also kept its components and remained realistic. This confirms the nature Pervasive  in all our expressions,  a turns out that abstraction and cubism prove that the power of the visual as a stimulant and the primary instigator is manifested in color, shape, shadow and light, and they possess special magic and power away from any realistic representation, that is, what we see only as a liberator of any dimension is more important in the eyes of these two technical schools and stronger in expression. That prove The truth of our thesis, and  the distance from reality was a proof that we are immersed in it so much,  and its symbols became pure  plastic symbols for us. This study focused on visual as a visual manifestation in the works of art, whether classical or realistic or modern trends, although it paved the way by emphasizing the importance of visual stimuli in our cultures and beliefs even in our names.

This study was came in two sections, the first section on the importance of visual stimuli in the universe, nature and the local environment, as an introduction to present the second section, the importance of the visual stimuli in both the cubistic and abstract as trends coused  revolution or reality and representing it.          

Published
2017-09-15
Section
Articles