التحليل المعرفي والجمالي لظاهرة عري الأقدام في الاعمال التشكيلية قديما وحديثا
this study analyzed the cognitive and aesthetic phenomenon nudity feet, which appeared across many artworks of art and through the artistic trends of different art styles and across different artistic eras, this study aimed to discuss nudity feet only in the works where there is a rationale of career for the existence of the shoe, and a rebellion against boot has other justifications that can be researched and substantiated.
This study came in two sections, the first is the analysis of knowledge of this phenomenon historically, socially and linguistically, psychologically, where the artwork comes from the artist has his life and his interaction with what and those around him, and his artwork must be done blaming realistic experience, reflected in his forms, and this our belief was the reason a motivation for us to study the bare foot on this side I mean side of knowledge. The second section was analysis aesthetic also came from our belief that works of art are acts of aesthetic primarily, hence we approached the foot in this section from the side of shape color and symbol to know some answers to our inquiries about the reason for this appearance of bare feet in a large number of different works of art, since we can not count all, but we have elected a number of them, we will show them in the latest study to be proof of the sincerity of what we put forward. As we concluded at the end of this study that the image of bare foot has an enormous expressive ability, and therefore their associated large number of linguistic terms and conditions and weights and sayings and standards, as it was an important symbol, aesthetically, intellectually and socially, as it possessed figuration features, for this was a widespread presence in several from technical trends and patterns across different eras .